The feature film adaptation of Paul Tremblay’s horror novel “The Cabin at the End of the World”.
In the heart of the enchanted forest, nestled among ancient trees and whispering leaves, stood a secluded cabin. Its wooden exterior was adorned with ivy and moss, blending seamlessly with the lush surroundings. This cabin was no ordinary dwelling; it was a haven where magical beings sought solace and pleasure away from the prying eyes of mortals.
One moonlit night, a soft knock echoed through the stillness of the forest. The cabin’s door creaked open, revealing a figure cloaked in shadows. As she stepped inside, the candlelit room illuminated her features – a fae enchantress with eyes like emeralds and skin as pale as moonlight. She had come seeking respite from the chaos of the fae court,